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Thursday, November 26, 2015

POEM COMPREHENSION - ME ON A HIGH WIRE


ME ON A HIGH WIRE
                         by John McInnes
Me on a high wire,
Setting out surely,
Making each movement
Seem easy and safe.
You down below me,
Sensing my caution,
Hoping each movement
Is easy and safe.
 Me on a high wire,
 Costumed and spotlit,
Full concentration
 On each balanced move.
You down below me,
Tensing and motionless,
Full concentration
On each balanced move.
Me on a high wire,
Letting a foot slip
Only a fraction,
 Awakening  your fear.
 Me, the performer,
Taking my chances,
Exciting my talent
 To share  it with you.
You the observer,
Cheering me silently,
 Sharing success with me,
Eyeing  me on.
 Me on a high wire,
Taking the last step,
Stretching to finish
My  journey  for us.
You down below me,
Gasping, applauding me,
 Sending a thank you
For  what  I have done.
 Me bowing, thank you
For letting me share it—
The feel of the high wire,
The feel of performing—
 High performance!

1. What central idea does the poem illustrate?
 A. the dangers of the high wire act
B. the performer’s relationship to the audience
 C. how exciting watching a high wire act can be
 D. how the performer must concentrate to balance
 2. Which of the following adjectives best describes the performer?
 A. hopeful
B. grateful
C. nervous
D. confident
3. Why does the poet alternate the stanzas between “Me” and “You”?
A. to show that the audience is afraid
B. to link the performer to the observer
C. to demonstrate the performer’s bravery
D. to emphasize the distance between the performer and the audience
4. Which line in the poem most strongly suggests that the performer deliberately tries to play with the audience’s feelings?
A. “Sensing my caution”
B. “Letting a foot slip”
 C. “Taking the last step”
 D. “Stretching to finish”


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Wednesday, November 25, 2015

TALKING ABOUT THINGS YOU HAVE DONE AND YOU WANT TO DO


TALKING ABOUT THINGS YOU HAVE DONE AND YOU WANT TO DO
I have + (past participle)
This structure is used to talk about things that you have done in the past.
·         I’ve done it.
·         I’ve tried parasailing.
·         I have visited Australia.
·         She has acted in a film.
·         I’ve watched that film.
·         She’s written several books.
·         I’ve written twelve letters since morning.
·         I’ve been to this place before.
·         I’ve seen him before.
Talking about things you want to do
I wanna + (verb)
The structure wanna is the conversational equivalent of want to. The structure I wanna can be used to talk about things you want to do.
·         I wanna talk to you. (= I want to talk to you.)
·         I wanna find a job. (= I want to find a job.)
·         I wanna marry you. (= I want to marry you.)
·         I wanna try this food. (= I want to try this food.)
The structure ‘don’t wanna’ is used to talk about things that you don’t want to do.
·         I don’t wanna accept this job. (= I don’t want to accept this job.)
·         I don’t wanna marry you. (= I don’t want to marry you.)
·         I don’t wanna meet him. (= I don’t want to meet him.)
Talking about things you have to do
I gotta + (verb)
The word gotta is the conversational equivalent of got to. In conversation I gotta is often used instead of I have got to.
·         I gotta get up early tomorrow. (= I have got to get up early tomorrow.)
·         I gotta win her trust. (= I have got to win her trust.)
·         I gotta get my car repaired. (= I have got to get my car repaired.)


Tuesday, November 24, 2015

MAKING QUESTIONS


MAKING QUESTIONS

Note that do and does are used in the present tense. Do is used with plural nouns and the pronouns I, we, they and youDoes is used with singular nouns and the pronouns he, she and it.
Did is used in the past tense with both singular and plural nouns and pronouns. Study the examples given below.
  • She writes short stories.
This statement is in the simple present tense and it doesn’t have an auxiliary verb. When we change this statement into a question, we use does as the first word. Note that we use does because the subject is a third person singular pronoun.
  • Does she write short stories? (NOT Does she writes short stories?)
  • Mike likes strawberries. (Statement)
  • Does Mike like strawberries? (NOT Does Mike likes strawberries?)
  • They live in the same house. (Statement)
  • Do they live in the same house? (Question)
Here we use do because the subject is a plural pronoun.
  • I like Beethoven. (Statement)
  • Do you like Beethoven? (Question)
  • I enjoyed the movie. (Statement)
This statement is in the simple past tense. When we change it into a question, we use did as the first word. Note that did is used with both singular and plural nouns and pronouns.
  • Did you enjoy the movie? (Question) (NOT Did you enjoyed the concert?) Did + enjoy = enjoyed
  • I met James yesterday. (Statement)
  • Did you meet James yesterday? (Question)
  • She watched a movie last night. (Statement)
  • Did she watch a movie last night? (NOT Did she watched a movie last night?)
  • Susie called Jack in the morning. (Statement)
  • Did Susie call Jack in the morning? (Question) (NOT Did Susie called Jack in the morning?)

Sunday, November 22, 2015

BLAKE'S POEM - NIGHT


BLAKE'S POEM - NIGHT



Night - Synopsis and commentary

Synopsis of Night

In stanza one, the speaker looks at the setting sun and sees the evening star. Like the birds now quiet in their nest, s/he, too, must go to bed. S/he sees the moon as shining indulgently on the earth at sleep.
In stanza two, s/he says farewell to the daytime scene of green fields and groves where sheep have grazed. Now, where the lambs grazed angels tread, blessing everything that is growing and sleeping.
Stanzas three and four consider the angels' activities. They check nests; they check on all the animals, keeping them from harm and give sleep to any in distress, keeping watch by their bed. They weep when they find wolves and tigers howling for prey and try to drive away their hunger. If these beasts nevertheless catch their prey, the angels take the dead animals to a new life (heaven).
Stanzas five and six express the nature of this new life (‘new worlds'). It is a place of universal peace in which ‘the lion will lie down with the lamb'. The lion asserts that the gentle humility and wholesome purity of Christ (the unnamed ‘him who bore thy name' i.e. the Lamb of God) has driven out anger and sickness from this new place of endless day. The lion is now no longer the predator but the guard / shepherd. He can lie down beside the lamb and sleep, or think about Jesus' sufferings, full of tenderness towards the bleating, gentle lamb. Now the lion isimmortal (‘wash'd in life's river), he will be a glorious protector of the flock.
The poem draws on pastoral imagery, looking at harmony between nature and human beings. The contrasts of day, followed by night, followed by eternal day, stress only the positive aspects of each (which could be seen as demonstrating the inadequacy of innocence). Blake also employs a wealth of biblical allusion.

Commentary

A positive vision?

In the light of Blake's ideas drawn from Jacob Boehme (see Religious / philosophical background > Philosophical influences on Blake > Blake and Jacob Boehme), this poem can be read as showing the inadequacy of innocence when it is the only vision available to the human being. The perspective of the poem's speaker allows little engagement with the experience of ‘woe':
  • The evocation of the passing day is idyllic, stressing greenness and peacefulness
  • All is growth – ‘green fields and happy groves'
  • Nothing is at risk – flocks ‘took delight', ‘lambs nibbled'
  • The picture of angels visiting, protecting and soothing troubled animals is seductive
  • It is the world of a lullaby.
Night actually neutralises the negatives associated with the image of night. After all, night-time is:
  • The time of human terrors and fears
  • When individuals are most vulnerable to attack
  • When most predators are at work – the only glancing reference to death is that the predators ‘rush dreadful'.
  • Frequently an image of death and oblivion.

A one sided picture

The reality of predation and death is present, and the angels cannot avert it. However, it is presented simply as a precursor to entering a more blissful existence, in which all antagonism is removed. The only values are those of meekness and tenderness. This vision of a world to come, or a world ‘beyond', offers comfort but might also signal an avoidance of the reality of devouring forces within human life (necessary contraries according to Blake). It also presents a vision of life devoid of energy and force:
  • The angels become static in the face of danger, tears the only protection they can offer
  • Lambs become merely ‘mild spirit[s]'
  • The lion lies down with the lamb as a tamed beast, grazing alongside the lamb. The distinctive qualities he brings to creation are channeled merely into guard duties in this ideal, pastoral world.


COMPREHENSION - POEM


Read the poem below and answer the questions that follow.
The Fog
I saw the fog grow thick
   Which soon made blind my ken;
It made tall men of boys,
   And giants of tall men.

It clutched my throat, I coughed;
   Nothing was in my head
Except two heavy eyes
   Like balls of burning lead.

And when it grew so black
   That I could know no place
I lost all judgment then,
   Of distance or of space.

The street lamps, and the lights
   Upon the halted cars,
Could either be on earth
   Or be the heavenly stars.

A man passed by me close,
   I asked my way, he said,
"Come, follow me, my friend " -
   I followed where he led.

He rapped the stones in front,
   "Trust me," he said, " and come";
I followed like a child -
   a blind man led me home.
W. H. Davis




1.
'It clutched my throat, I coughed' tells us that






(A)
the poet was suffocating because of the fog


(B)
the fog and the poet were fighting fiercely


(C)
the fog held the poet by the throat


(D)
the poet had a sore throat





2.
The following statements are true except






(A)
the fog grew so thick that the poet could not get his directions right


(B)
a blind man who was also lost came to help the poet


(C)
the fog caused the poet to see things differently


(D)
the fog hut the poet's eyes





3.
The word halted shows that the cars were probably






(A)
stolen


(B)
moving


(C)
expensive


(D)
stationary





4.
' ... the stones in front' in the last stanza refers to






(A)
the stones the blind man carried in a pouch in front of him


(B)
the stones that were lying by the side of the road


(C)
the road they were on


(D)
loose gravel





5.
The blind man could lead the poet through the fog because he






(A)
was wearing a pair of sunglasses


(B)
had been to the poet's house


(C)
had a stick with him


(D)
knew his way





6.
The last stanza of the poem tells us that






(A)
the blind man was boastful


(B)
the poet trusted the blind man


(C)
the poet could not return home


(D)
the fog had hurt the feelings of the poet

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