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Sunday, November 22, 2015
BLAKE'S POEM - NIGHT
Synopsis of Night
In stanza one, the
speaker looks at the setting sun and sees the evening star. Like the birds now
quiet in their nest, s/he, too, must go to bed. S/he sees the moon as shining
indulgently on the earth at sleep.
In stanza two, s/he says farewell to the daytime scene of green
fields and groves where sheep have grazed. Now, where the lambs grazed angels
tread, blessing everything that is growing and sleeping.
Stanzas three and four consider the angels'
activities. They check nests; they check on all the animals, keeping them from
harm and give sleep to any in distress, keeping watch by their bed. They weep
when they find wolves and tigers howling for prey and try to drive away their
hunger. If these beasts nevertheless catch their prey, the angels take the dead
animals to a new life (heaven).
Stanzas five and six express the nature of this new life (‘new
worlds'). It is a place of universal peace in which ‘the lion will lie down
with the lamb'. The lion asserts that the gentle humility and wholesome purity
of Christ (the unnamed ‘him who bore thy name'
i.e. the Lamb of God) has
driven out anger and sickness from this new place of endless day. The lion is
now no longer the predator but the guard / shepherd. He can lie down beside the
lamb and sleep, or think about Jesus' sufferings, full of tenderness towards
the bleating, gentle lamb. Now the lion isimmortal (‘wash'd in life's river), he will be
a glorious protector of the flock.
The poem draws on pastoral imagery, looking at harmony between
nature and human beings. The contrasts of day, followed by night, followed by
eternal day, stress only the positive aspects of each (which could be seen as
demonstrating the inadequacy of innocence). Blake also employs a wealth of
biblical allusion.
Commentary
A positive vision?
In the light of Blake's ideas drawn from Jacob Boehme (see Religious / philosophical background >
Philosophical influences on Blake >
Blake and Jacob Boehme), this poem can be read as showing the inadequacy of
innocence when it is the only vision available to the human being. The
perspective of the poem's speaker allows little engagement with the experience
of ‘woe':
- The evocation of
the passing day is idyllic, stressing greenness and peacefulness
- All is growth –
‘green fields and happy groves'
- Nothing is at
risk – flocks ‘took delight', ‘lambs nibbled'
- The picture of
angels visiting, protecting and soothing troubled animals is seductive
- It is the world
of a lullaby.
Night actually neutralises the negatives
associated with the image of night. After all, night-time is:
- The time of
human terrors and fears
- When individuals
are most vulnerable to attack
- When most
predators are at work – the only glancing reference to death is that the
predators ‘rush dreadful'.
- Frequently an
image of death and oblivion.
A one sided picture
The reality of predation and death is present, and the angels cannot avert
it. However, it is presented simply as a precursor to entering a more blissful
existence, in which all antagonism is removed. The only values are those of
meekness and tenderness. This vision of a world to come, or a world ‘beyond',
offers comfort but might also signal an avoidance of the reality of devouring
forces within human life (necessary contraries according to Blake). It also
presents a vision of life devoid of energy and force:
- The angels
become static in the face of danger, tears the only protection they can
offer
- Lambs become
merely ‘mild spirit[s]'
- The lion lies
down with the lamb as a tamed beast, grazing alongside the lamb. The
distinctive qualities he brings to creation are channeled merely into
guard duties in this ideal, pastoral world.
COMPREHENSION - POEM
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1.
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'It clutched my throat, I coughed'
tells us that
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(A)
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the poet was suffocating because
of the fog
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(B)
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the fog and the poet were fighting
fiercely
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(C)
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the fog held the poet by the
throat
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(D)
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the poet had a sore throat
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2.
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The following statements are true except
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(A)
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the fog grew so thick that the
poet could not get his directions right
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(B)
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a blind man who was also lost came
to help the poet
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(C)
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the fog caused the poet to see
things differently
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(D)
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the fog hut the poet's eyes
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3.
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The word halted shows that the cars were probably
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(A)
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stolen
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(B)
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moving
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(C)
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expensive
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(D)
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stationary
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4.
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' ... the stones in front' in the
last stanza refers to
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(A)
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the stones the blind man carried
in a pouch in front of him
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(B)
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the stones that were lying by the
side of the road
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(C)
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the road they were on
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(D)
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loose gravel
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5.
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The blind man could lead the poet
through the fog because he
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(A)
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was wearing a pair of sunglasses
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(B)
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had been to the poet's house
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(C)
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had a stick with him
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(D)
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knew his way
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6.
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The last stanza of the poem tells
us that
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(A)
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the blind man was boastful
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(B)
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the poet trusted the blind man
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(C)
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the poet could not return home
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(D)
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the fog had hurt the feelings of
the poet
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CBSE Papers, Questions, Answers, MCQ ...: Reading Comprehension (Unseen Poem)
CBSE Papers, Questions, Answers, MCQ ...: Reading Comprehension (Unseen Poem): Reading Comprehension (Unseen Poems) Q1( CTET ): Directions: Read the poem given below and answer the questions that follow by selecti...
WORKSHEET - PHRASAL VERBS
WORKSHEET - PHRASAL
VERBS
Complete the following
sentences using an appropriate phrasal verb.
1. How did these
things ………………..?
a) came about
b) come about
c) come across
d) came across
b) come about
c) come across
d) came across
2. I …………………… an old
friend of mine yesterday.
a) came about
b) came to
c) came across
b) came to
c) came across
3. That question
………………………. before the committee yesterday.
a) came up
b) came across
c) came about
b) came across
c) came about
4. He was …………………. in
the prime of his life.
a) cut down
b) cut off
c) cut out
b) cut off
c) cut out
5. His wife’s death
……………………. terribly.
a) cut him up
b) cut him down
c) cut him off
c) cut him off
6. He seems to be
…………………..
a) well off
b) well down
b) well down
7. At last the truth
……………………
a) came out
b) came up
c) came across
b) came up
c) came across
8. His master
……………………… an explanation of his conduct.
a) called for
b) called on
c) called in
b) called on
c) called in
9. He found it rather
difficult to ………………….. to his views.
a) bring her round
b) bring her up
c) bring her out
b) bring her up
c) bring her out
10. My grandmother
cannot ………………… past events.
a) call out
b) call up
c) call on
b) call up
c) call on
Answers
1. How did these
things come about?
2. I came
across an old friend of mine yesterday.
3. That question came
up before the committee yesterday.
4. He was cut
off in the prime of his life. (cut off = die)
5. His wife’s death cut
him up terribly. (cut someone up = afflict, distress)
6. He seems to be well
off. (well off = rich)
7. At last the truth came
out.
8. His master called
for an explanation of his conduct. (call for = demand)
9. He found it rather
difficult to bring her round to his views. (bring someone
round = convince)
10. My grandmother
cannot call up past events. (call up = recollect)
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