MARY OLIVER’S POEM “WILD GEESE” - AN ANALYSIS

Mary Oliver’s poem “Wild Geese” begins with a reminder to the reader, or a revelation to some, that we do not have to be good.  Whatever guilt, shame, whatever confessions we hold inside, can be let go. We do not always have to repent, either. Why? Because we, too, are animals like the wild geese. Instead of suffering, or spending our lives trying to find forgiveness, we only have to do what we love to do. This is a relief to the reader, and after reading the first few lines we are softened, ready for whatever comes next.

Then Oliver writes, “Tell me about despair, yours, and I will tell you mine…” Everybody has his or her own despair, everybody needs to be told we do not have to be good, everybody would have a reason to repent. Talking about our troubles can help us heal from them, and hearing other people’s pain can create a primal connection between two people, loyal and deep like the bond between birds.

“Meanwhile the world goes on.” The repetition of the word ‘meanwhile’ soothes and is, in the poem, cyclical like rainfall in natural. This is also how Oliver’s natural imagery comes through: the reader can see the movement of the rain across America, across the world even – like humans and wild geese, the rain also travels. The geese are travelling home again, but where is home? Are they flying ‘home’ south for the winter, or ‘home’ back north?

It is as if Oliver understands this question that her work asks, and so she writes, “Whoever you are, no matter how lonely…” Oliver has no specific direction that points toward home, but rather, notes that it does not matter where you call home. Oliver invites the reader to listen to what the world tells us, contrasting and comparing us with wild geese, who fly alone yet in an inclusive form, honking to keep in contact with each other in flight, connected in the “family of things.”

“Wild Geese” embodies everything that I value in a poem: captivating opening lines; carefully chosen and concise language; similes and repetition; natural imagery; enough room for the reader to understand Oliver’s point of view while still imposing their own; and ending lines that make the reader feel complete. Her work pulls the reader out of a moment in our pressured world, and puts us into another moment – one vastly more real, more understanding.